1001000025 10:22:05 13:55:55 1001000019 Tatja.Scholte Tatja Scholte tatja scholte bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 bb-05 2005-02-01 2002-10-09 organisation organisation organisation Gormley, Antony mixed media artist artist_material museum TATE, Conservation Department. Please contact Publisher http://www.tate.org.uk/search/default.jsp museum conservation department TATE, Conservation Department English Tate T05004 Report Word Print Photograph (black-and-white) The Tate's conservation record for Antony Gormley's 'Untitled (For Francis)', 1985, includes a record of examination, a structure and condition report, handling and installation notes, a record of treatment, information concerning display and installation,as well as photographs of the work. 2002-10-08 UK Artist's technique Conservation Display/Installation Artist's material TATE, Conservation Department TATE, Conservation Department 1002000008 18:18:00 15:48:02 1002000011 1002000014 tatja scholte tatja scholte cxs 2002-10-07 2002-10-04 person person person person person organisation person 6 pages Neshat, Shirin wallboard installation instructions audio quality color balance resolution artist artist_intention display_installation other other other museum conservation department Solomon R. Guggenheim Museum artist media specialist archivist media specialist artist's assistant conservator Solomon R. Guggenheim Conservation Department English SRGM Solomon R. Guggenheim Conservation Department Notes Word An interview conducted with the artist Shirin Neshat and her partner/collaborator at Tape House, where three works were screened to evaluate the masters and their relation to the copies. The works viewed and discussed in this interview are Passage, Siloloquy, and Rapture. Three technicians from Tape house were present, plus one conservator, one archivist, and media specialist from the Guggenheim. Issues discussed include color quality, image resolution, compression, and sound. Discussion of the ideal presentation, equipment, and preservation concerns. 2002 New York film and video installation 1999-2002 Tape House, New York Artist's intention Conservation Display/Installation Neshat, Shirin Jones, C Lantz, M Shoji Shoji Stringari, C 1002000011 09:27:17 11:20:59 1002000008 Tatja Scholte tatja scholte tatja scholte cxs cxs cxs 2002-12-09 2002-10-06 person organisation person Shirin, Neshat video film color balance installation instructions artist artist_material artist_material artist_intention display_installation museum Solomon R.Guggenheim Museum 1002000008 artist Solomon R. Guggenheim Museum SRGM Solomon R. Guggenheim Museum Object registration Digital Betacam "Rapture" is a simultaneous double projection two-channel video installation in a constructed room 1999 New York video installation Art work Neshat, Shirin 1002031007 11:54:43 17:06:06 1002031006 tatja scholte Tatja Scholte Pigo 2004-02-27 2003-10-28 person organisation organisation two pages Kelly, Ellsworth linen Lebron stretcher Winsor and Newton oil paints artist artist_material artist_material artist_material conservation department Whitney Museum of American Art. Please contact Conservation Department. artist conservation department Whitney Museum of American Art English Whitney Museum of American Art Questionnaire Print The artist Ellsworth Kelly describes in this questionnaire which materials he used for his painting 'Green, Blue, Red', the work's exhibition history and what his artistic intention was. (Record by Pia Gottschaller, conservator Whitney Museum, 10-2003) 1966-04 USA, Minimalism Art historical context Artist's intention Artist's material Kelly, Ellsworth Whitney Museum of American Art 1004020011 17:01:03 15:27:35 Tatja.Scholte Tatja.Scholte Tatja.Scholte Tatja.Scholte Tatja.Scholte 2004-07-09 2004-07-09 person organisation person 127 pages 36 pages film costume powdering mud layer ultrasonic mister Klucel EV cellulose ether ALL conservation_problem conservation_method conservation_material conservation_material university Institute of Conservation Science, University of Applied Sciences Cologne/Maria Ellinger. Please contact Publisher student Institute of Conservation Science, University of Applied Sciences Cologne German Institut für Restaurierungs- und Konservierungswissenschaft - Maria Ellinger Institute of Conservation Science, University of Applied Sciences Cologne Dissertation Print Appendix This dissertation (Diplomarbeit) reports on the conservation of a costurme. Dry mud, an intrinsic component of a costume worn by Klaus Kinski in the film 'Cobra Verde', had to be consolidated in order to show the costume in the exhibition 'I, Kinski'. The consolidation of the powdering mud layer was carried out using Klucel 5% in ethanol and the ultrasonic mister 'Minivernebler W/A/Vnll'. Lose flakes have been adhered by injecting Klucel EV 15% in ethanol. For the display on a slant in a closed show case, a piece of corrugated cardboard was cut in exactly the same outline as each of the items of the costume, padded with cotton dormette and covered with cotton jersey dyed to match. (Original title: Die Konservierung eines Filmkostüms Klaus Kinskis aus dem Film 'Cobra Verde') 2002 Textile Movie props Film props Conservation Display/Installation Ellinger, Maria 5 5 0 dc 0 1110379940