report(s): Anton Eliëns, kenshi nr: 573-27253
my attention to shorinji kempo was attracted by the phrase shorinji kempo is an intellectual martial art, and in a time where I worked too hard, spending many hours in front of the computer, and I also had to deal with some personal issues, I started training shorinji kempo at the age of 43, curious whether I could keep up with a group of younger people.
On the occassion of applying for my 4th dan exam, I wrote:
having practiced shorinji kempo for almost twenty years, the main purpose in continuing is still to exercise a proper discipline of mind and body, or in other words the meaning of shorinji kempo may be characterized by the japanese word gyo, in its dual meaning of calling and discipline, or a habit of training responding to a need for movement and a long standing attraction for the martial arts
And I remember how proud I was to reach my 1st dan (black belt)
before my 50th birthday, in retrospect competing with my father
who obtained his judo black belt at the age of 50,
when I was 10 years old, practicing judo at the level of yellow belt.
But before that, there were the other gradings, starting with the 5th kyu,
and after a somewhat hesitant beginning
after some time, thanks also to appropriate training partners, I felt confident and enthusiast to tackle the challenges in shorinji kempo, that is to participate in a taikai, take grading exams, attend training seminars and even visit hombu for the summer camps, which only strengthened my interest and determination to pursue the path of shorinji kempo
Looking back, my examination experiences were highly
influenced, in a positive way, by my training partners,
in particular Gil Medeiros, with whom I obtained my
3th dan at Hombu in 2011. These periods of training together before the exams,
from 1st kyu to 3th dan, were very intense periods, with personal
confrontations, but with great mutual respect and satisfaction.
apart from the (health) benefits, the inherent complexity of the system of techniques shorinji kempo teaches is in itself intriguing and proves to be a constant challenge for learning and improvement.
In comparison, my preparation for my 4th dan exam was a more
solitary and to some extent even lonely experience, but
I was happy to get to know Mike Moore, branchmaster in Melbourne,
with whom I completed the exam in an harmonious and satisfactory manner,
another step in the process of learning
shorinji kempo, as a marial art and even more important
as a way to discipline the mind and body.
I still value to look at shorinji kempo from a beginner's mind, and unrelentingly set myself the goals of improving my techniques, finding a proper way to do techniques together with a partner, and getting above the possible confusion that may occur in randori exercise.
to evaluate if the examinee has developed techniques,
knowledge, and personality to the required level and successfully shown that during the examination
However, for the practicing kenshi, whatever age,
it may be said that an exam is part of
a process, not the end, but in some sense the beginning
In other words,
shorinji kempo is
like climbing a stair
step by step, and the grade system marks milestones of training
For kenshi taking an exam, self-confidence is gained
by learning to comply with the rules, to develop the proper attitudes,
and the ability to demonstrate adequate mastery of the
techniques, as well as their knowledge of foundations and
principles of shorinji kempo.
learn from the evaluation
At the seminar, a pre-exam was suggested, as a means
to establish whether the kenshi meets the preliminary
requirements of an exam in terms of a proper level of
knowledge, techniques, and skills to apply the techniques
in embu and randori.
Whatever level, though, basic techniques are of utmost importance,
including position, stance and body movement in goho,
and balance and protection methods in juho,
each according to the potential and physical capabilities
of the examinee.
A. Eliens, 28/03/2015 online version: sk.eliens.net/report-exam.htmlfrom the perspective of shorinji kempo [ref. 2]
reference(s)
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readme
vocabulary
techniques
kyu 6
kyu 5
kyu 4
kyu 3
kyu 2
kyu 1
dan 1
dan 2
dan 3
dan 4
dan 5
part(s)
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terminology
note(s)
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