creative technology / new media
[] readme new(s) workshop(s) project(s) CA1 CA2 CA3 CA4 CA5 course(s) - creative exploration(s) / serious games / ethic(s) - resource(s) _ / * @ # !

talk show tell print

present / print / tag(s)

outline(s) / dilemma(s) / schedule(s) / form(s) content(s) / topic(s) / goal(s) / material(s) / structure(s) / assign(s) / reference(s) / link(s) / course(s)

consideration(s) -- design for create


_ .. serious / game(s) / utopia / design(s) / fun ? [://] _


creative technology -- track(s) / the age of play

Æliens


slide(s) -- online

selected reference(s)

 remark(s): all may be considered complimentary references, the first a solid overview of issues indesign, the second with a diversity of (relevant!) essays, and the third not so much a design book as well as providing a model that is (at least) inspirational for the exploratory attitude that is at the heart of creative technology ... (eh ...) and the latter with refreshing ideas on design thinking and (business) innovation(s).

comment(s)
  1. Angelika Mader's model -- ideation, specification, realization, validation
  2. book Interaction Design -- Beyond Human-Computer Interaction -- cross-disciplinary, practical and process-oriented approach

ad 1) good starting point, with entry for (all?) imaginable perspectives
ad 2) perhaps too much too read, and too wide ..., but I am not sufficiently familar with the field ...

* play / story / search / flow(s) / topic(s) / cage(s) # ! @ Æ


engine of complexity

complex -- payoff(s) / challenge(s) / game(s) / math(s) / plan(s)

_ .. / / common(s) / idea(s) / change(s) / theme(s) ? [:] _


education(s) question(s) moral(s) rethoric(s)


  • entities -- simple or complex elements
  • heritable features -- of interest
  • reproduction -- copy & paste
  • change mechanism -- transform(s) / mutation(s)
  • feature-based selection -- fitness

engine of complexity

* play / social(s) / machine(s) / method(s) / cycle(s) # ! @ Æ

present / print


complex / game(s) / math / code(s) / resource(s)


reference(s) -- auxiliary / etcetera [literature]
  • Brown T. (2009), Change by Design -- how design thinking transforms organizations and inspires innovation, HarperCollins Publishers
  • Buxton B. (2007), Sketching User Experiences -- getting the design right and the right design, Morgan Kaufmann
  • Jones J.C. (1092), Design Methods, Wiley (2nd edn)
  • Idris Mootee -- Design Thinking for Strategic Innovation: What They Can't Teach You at Business or Design School -- amazon
  • Munari B. (1966), Design as Art, Penguin Books
  • Norman D.A (1990), The Design Of Everyday Things, Basic Books
  • Petroski H. (1982), To Engineer is Human -- The Role of Failure in Successful Design , Vintage Books
  • Petroski H. (1989), The Pencil -- a history of design and circumstance , Alfred A. Knopf
  • Petroski H. (1992), The evolution of useful things, Vintage Books
  • Petroski H. (2006), Success through Failure -- the paradox of design , Princeton Press
  • Thackara J. (ed.) (1988), Design after Modernism -- Beyond the Object, Thames and Hudson
  • Thorp H. and Goldstein B. (2010), Engines of Innovation -- the entrepreneurial university in the twenty-first century, University of North Carolina Press

old material(s) -- before 2010

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

target(s) -- design

from a new media perspective: track(s)

  • skill(s) -- drawing, modelling
  • knowledge -- design methodology
  • theory -- human factors
  • experience(s) -- design & prototyping
  • attitude -- sensitive, with an eye for human experience

PDF

design in creative technology

argument(s)

from a new media perspective

 Anton Eliëns

abstract In this report we look at how the design track may complement the new media track, not only in the area of skills, such as hand drawing, but also, perhaps more importantly, in the area of human factors. Additional benefots may come, more over from modelling, that is building VR models inspired by drawing using appropriate digital content/modeling tools.
status: 11/2/08 -- for discussion

introduction

 Although there are by tradition significant differences between the computing disciplines (from which the intitiative for creative technology was taken) and industrial design, joining efforts in establishing the new curriculum creative technology may be worthwhile, not only because of potential overlap and shared interests, but also because of the fact that the tow approaches may complement eachother in a fruitful way.

For a brief summary of educational targets for creative technology, we may somewhat tentatively present a list as below:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

target(s) -- creative technology

_ .. from a new media perspective: track(s)
  • skill(s) -- computing, mathematics, simulation, technology
  • knowledge --computer & software architecture, human factors
  • theory -- systems engineering, media & communication
  • experience(s) -- project(s), deployment in social context
  • attitude -- initiative, creative, involved
Although this summary gives no information wrt. the educational approach, many of the topics would alos be included in a curriculum industrial design. As a matter of fact, the curriculum industrial design already has experience with an educational approach that me be characterized as project-based and just-in-time (theoretical) learning [1].

new media -- targets and learning goals

 No doubt, the level of technical expertise, that is computing skills, required of students creative technology, and in particular students of the new media track, will be more demanding than for industrial design students.

In summary, educational targets for new media may be listed as below:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

target(s) -- new media

... / format(s) / track(s)

  • skill(s) -- scripting, programming, interaction design
  • knowledge -- web, multimedia & game technology
  • theory -- understanding of media & communication
  • experience(s) -- concept development & realization of (playful) application(s)
  • attitude -- explorative, with an eye for the rethorics of the material

. / slogan(s) / cycle(s) / ..

Actual learning goals, or topics of study in the new media track encompass:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

new media -- the aesthetics of our time

target(s)

Apart from virtual reality, which also has a place in industrial design, these topics are of subsidiary relevance for industrial design students, but may become more important when the context of deployment of design artefacts is taken into account.

smart technology -- additional requirements

 An essential part/track of creative technology is constitued by what may be called ubiquitous computing, or smart technology. The educational targets related to this track may be summarized as:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

target(s) -- smart technology

from a new media perspective: track(s)

  • skill(s) -- modeling, construction
  • knowledge -- mechatronics, ubiquitous computing, dynamic systems
  • theory -- human perception, privacy, security
  • experience(s) -- deployment of smart (multi sensor) systems
  • attitude -- inventive, with a playful mind
Nevertheless, as the focus of creative technology may be characterized as the creation of computer augmented (entertainment) artefacts [2], smart technology should also clearly be positioned in a design context.

the design curriculum -- focus on human factors

 Looking at educational targets for design, admittedly from a creative technology and new media perspective, we may arrive at:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

target(s) -- design

from a new media perspective: track(s)

  • skill(s) -- drawing, modelling
  • knowledge -- design methodology
  • theory -- human factors
  • experience(s) -- design & prototyping
  • attitude -- sensitive, with an eye for human experience
Elements in the curriculum design would typically encompass:

topic(s) / collection(s) / fragment(s) / argument(s) / note(s) / list(s) / document(s)

design -- senso-motor experience

target(s)

  • sketch, drawing
  • vr & cad modeling
  • physical prototypes
  • concept development
We may observe that in addition to elementary skills of drawing and modeling, an important contribution may come from the attention to human factors that is essential in the design of artefacts related to human experience.

conclusions -- creating computer-augmented artefact(s)

 Looking at the curriculim as a whole, we may safely conclude that design should be an intrinsic element of creative technology, and, taking into account the observations made above, that additional benefits may come from
  • experience with a project-based educational approach
  • clear attention to human factors in a design context
  • practical experience with teaching drawing and modelling skills
  • training in visual presentation skills

reference(s)
  1. Create the Future -- An environment for excellence in teaching future-oriented Industrial Design Engineering, available in online version
  2. Facets of Fun -- On the Design of Computer Augmented Entertainment Artefacts, available in online version
[] readme new(s) workshop(s) project(s) CA1 CA2 CA3 CA4 CA5 course(s) - creative exploration(s) / serious games / ethic(s) - resource(s) _ / * @ # !

(C) Æliens 2013