EUROPEAN COMMISSION

Directorate-General for Education and Culture

Culture, Audiovisual Policy and Sport

Culture: policy and framework programme

 

 

GRANT APPLICATION FORM 2004
Call for applications -
Budget heading B3-2008
"CULTURE 2000" FRAMEWORK PROGRAMME IN SUPPORT OF CULTURE

 

Introduction

Before completing this application form, please ensure that you have read and understood the call for proposals. It may be useful to consult a copy of the call while completing your application.

In particular, you will need to make sure that you provide all evidence and fulfil all conditions required under the new financial regulations of the European Commission. In this context, please carefully follow the application checklist when compiling the application.

In order to apply for a grant, please complete the application form and attach the required annexes at the end. Do not attach documents other than those requested in the call for applications. Additional documents will not be considered and will not be returned.

Applications must be typed. Hand-written applications will not be accepted.

After filling in the application form, check that it is dated and signed. Submit the original and one copy to the following address:

European Commission

Policy development in the cultural sphere - Culture 2000 Framework Programme

B-100 - Office 5/21

B - 1049 Brussels
Belgium


Any applications faxed or sent by e-mail will not be accepted.

GENERAL THEME(S) ADDRESSED: For all projects: please tick the appropriate box(es) to indicate which general theme(s) your project addresses.

ANNUAL PROJECTS: Please tick the relevant box to indicate the cultural field under which your project should be considered for funding (Cultural Heritage, Performing Arts, Visual Arts, Projects in third countries or Books, Reading and Translation. Tick one box only).

MULTIANNUAL COOPERATION AGREEMENT PROJECTS: Please tick the relevant box to indicate the cultural field under which your project should be considered for funding (Cultural Heritage, Performing Arts, Visual Arts or Books and Reading. Tick one box only).

 

 

 

GENERAL THEMES:

Please tick the theme(s) relevant to your project.

X Addressing the citizen

X New technology/media addressing creativity

X Tradition and innovation; linking the past and the future

_________________________

ANNUAL COOPERATION PROJECTS

One-year specific, innovative and/or experimental actions and translation projects

Please tick the cultural field under which your project should be considered for funding. You must only tick ONE field.

ˆ CULTURAL HERITAGE

 

ˆ VISUAL ARTS

 

ˆ PERFORMING ARTS

 

ˆ BOOKS, READING AND TRANSLATION

Please tick the action relevant to your project. You must only tick ONE action.

ˆ One-year specific, innovative and/or experimental projects to promote reading

ˆ One-year specific, innovative and/or experimental projects promoting collaboration, at European level, to improve the skills of professionals in the field of translation of literary works

ˆ Translation of literary works (fiction) written by European authors since 1950

ˆ Translation of works on the subject of European human sciences

 

ˆ CULTURAL COOPERATION PROJECTS IN THIRD COUNTRIES

[Cultural co-operation projects in the field of CULTURAL HERITAGE which take place in a country that is not participating in the Culture 2000 programme]

_________________________

 

 

MULTIANNUAL COOPERATION AGREEMENT PROJECTS

Please tick the cultural field under which your project should be considered for funding. You must only tick ONE field.

X CULTURAL HERITAGE

 

X VISUAL ARTS

 

ˆ PERFORMING ARTS

 

ˆ BOOKS, READING, TRANSLATION

 

_________________________

 

 

APPLICATION CHECK-LIST

 

No

Document

Number of copies

Yes

1

Application form (including detailed budget estimate) dated and signed

2

2

Acknowledgement of receipt indicating your address

1

3

Declarations by the project leader and the co-organisers, with precise indication of their practical and financial contributions, bearing original signatures

2

4

Signed declarations by co-funding institutions (see II. 9), if applicable.

2

5

Annex 1: An official proof of the project leader’s and co-organisers' legal status, e.g. officially registered articles of association or statutes (with the exception of public bodies )

1

6

Annex 2: CVs of the person in charge of overall co-ordination of the project (project leader) and of the co-organisers’ staff responsible for the project

1

7

Annex 3: Recent activity reports of the project leader and co-organisers

1

8

Annex 4: Approved accounts for the last financial year for the project leader and the co-organisers (except where the organisation is a public body or has just been established - in which case approved accounts to date are sufficient).

1

9

Annex 5: Any material to support the application (e.g. relevant publications, programmes, images, drawings, examples of artists’ works etc.)

1

10

Annex 6: (translation projects only): copy of the original book

1

11

Annex 7: (translation projects only): copy of the contract covering translation rights

1

12

Annex 8: (translation projects only): copy of the contract between the publisher and the translator

1

13

Annex 9: (translation projects only): breakdown of the total publishing costs, clearly showing the translation costs

2

14

Annex 10: (translation projects only): CV of the translator

1

15

Annex 11: (translation projects only): signed and dated undertaking from the publisher that the name of the translator and the support provided by the Community will be clearly indicated in the translated work

1

16

Annex 12: (multiannual cooperation agreements only): text of the cooperation agreement in a legal form recognised in one of the countries participating in the programme and signed by all partners

1

17

Annex 13: (grant requests exceeding 300.000 € only): external audit report for the applicant organisation, produced by an approved auditor (with the exception of public bodies)

1

18

Annex 14 (only for cultural heritage projects involving work on listed or classified heritage): permit/certificate issued by the competent authorities confirming that the organisations concerned are authorised to carry out the work planned

1

19

Bank ID form signed by the project leader and their bank

1

 

PART I:
Information on the applicant organisation

1.1 Name of organisation and acronym/abbreviation:

 

 

 

1.2 Legal status: Private o Public X

1.3 Registration number:

1.4 Date of establishment: 01-04-1997

1.5 Address: Street: G. Metsustraat 8
Postcode: NL-1071 EA
Town/city: Amsterdam
Country: The Netherlands

1.6 Tel. (including country and area codes): + 31 20 3054545

1.7 Fax (including country and area codes): + 31 20 3054700

1.8 E-mail: Tatja.Scholte@icn.nl

1.9 Permanent staff employed by the organisation (number): 100

1.10 Legal representative (person authorised to sign an agreement with the Commission):

Surname: De Tagle

Forename: Alberto

Position: Head of Conservation Research Department

1.11 Contact person/project manager (person responsible for the general coordination of the work programme):

Surname: Scholte

Forename: Tatjana

Position: Researcher Conservation Research Department

1.12 Person responsible for financial matters:

Surname: Privee

Forename: Eric

Position: Administrator

1.13 Structure of the applicant organisation

The Netherlands Institute for Cultural heritage (ICN) is a governmental institution and part of the Dutch Ministry for Education and Culture.

    1. Organisation’s usual sources of finance

ICN is a public body and financed by the Dutch Ministry for Education and Culture

1.15 Experience in the sector to which this application relates

ICN has 40 years experience in the field of interdisciplinary research on preservation and conservation of cultural heritage.

ICN co-ordinated successfully two EU projects in the field of preservation of modern and contemporary art during the last 8 years together with TATE as co-organiser. The results of both projects, the symposium/ publication Modern Art Who Cares? and the INCCA Network (International Network for the Conservation of Contemporary Art. See: www.INCCA.org) are international recognised milestones in this field. The publication, network and the tools developed in these projects are widely used in the EU community.

ICN has taken the responsibility for continuation of these projects after finishing by maintaining the INCCA Network. The results of this project will also be implemented in the INCCA Network.

1.16 Previous experience in cooperation with other organisations in other countries participating in the programme

The partners in this project have been also partners in the two previous EU projects mentioned above. Also other European partners collaborate in the INCCA network, co-ordinated by ICN.

1.17 Financial support previously obtained directly or indirectly from a European institution or Community body during the past three years (where applicable and including one-year projects or multiannual cooperation agreement projects funded by Culture 2000)

Please give details of each grant obtained:

Community programme or budget heading

Project title

Year and contract reference number

Grant amount

DG Education and Culture, Raphael Programme 1999

INCCA

1999-2002

R99/l/11/NL – 99/S12.79729

€ 249.575

DG Research

PARELA

EVK4 – CT – 2000-30002

€ 73.460

 

     

 

 

     

 

 

     

 

 

     

 

(Add a further A4 page if necessary)

 

1.18 Has your organisation submitted, or does it intend to submit, a grant application for this project or another project in the same sector to another Commission department? (Please specify the DG, the programme or initiative concerned, and the result of your application)

No

If yes, please sign the following declaration:

I am fully aware that my organisation is not entitled to receive more than one grant from the Commission for the action covered by this application and will therefore withdraw any other application for any other grant from the Commission should this application be successful, or will withdraw this application should any other application be successful.

Date: Signature: _________________________________

 

 

PART II

(This part does not concern applications for translation projects)

Information on the project for which you are requesting a grant

In Annex 5, please join any material that could help to support the application, illustrate the project and allow a more thorough evaluation of the project and its organisers.

 

II.1 Title of the project

Preservation and Re-installation of Installation Art

II.2 Description of the project in ENGLISH (compulsory) AND either FRENCH or GERMAN. This description should under no circumstances be longer than 1-2 A4 pages and 1 000 words.

Please provide a concise and clear summary that includes information on all of the following points:

- What activities are planned?

- Where and when will these take place, and how long will they last?

- What are the objectives of the project and how will these be achieved?

- What results are anticipated on a long-term basis?

- How will the co-organisers co-operate in the implementation of the project?

- What is the added value of the co-operation on a European level?

- Who will benefit from the project?

See Appendix 1: Description of the Project

II.3 Detailed description of the activities for which financial support is requested

Please attach a precise programme of the activities planned under your project. For each activity, please provide on one separate sheet (to be attached to this form) a description of the activity itself, its objectives, the involvement of the co-organisers, the target group, an indicative timetable, and the expected results.

Please also list any subcontracting bodies involved in your project and indicate under which budget heading you have entered costs related to the activities to be implemented by these bodies.

 

See Appendix 2: Detailed Description of Activities A, B1-B5, C

II.4 Who are the co-organisers that will be involved in the project?

Names of co-organisers at local or regional level

Role of co-organiser in the conception of the project

Role of co-organiser in implementing the project

Financial participation

(minimum 5% of total eligible budget)

Indicate amount in Euro

 

 

     

Names of co-organisers at national level

Role of co-organiser in the conception of the project

Role of co-organiser in implementing the project

Financial participation

(minimum 5% of total eligible budget)

Indicate amount in Euro

Mr Evert Rodrigo, Stichting Behoud Moderne Kunst (SBMK)/Foundation for the Conservation of Modern Art, The Netherlands

  • Collaborate in the research and creation of a substantial body of case studies on installation art
  • Share knowledge and information & present the case studies to the general public and professional field
  • Using the case studies as a conceptual, intellectual and practical framework, collaborate in the development and dissemination of good practice, methods and tools on installation art, according to the 5 main topics of the project

  • Carry out 6 case studies & preserve, re-install and exhibit these works of installation art
  • Capture artist’s information and document the 6 works of installation art
  • Invite at least one artist for direct communication with the public (lecture, interview, forum)
  • Present the case studies at the 6 Working Group Meetings & Seminars
  • Co-ordinate the working group Theory and Semantics (including reports)
  • Organise & and host one two-days meeting
  • Publish the case studies and good practice at the museum’s website and/or INCCA website

€ 262.000

Names of co-organisers in other countries eligible for participation in the Culture 2000 programme

Role of co-organiser in the conception of the project

Role of co-organiser in implementing the project

Financial participation

(minimum 5% of total eligible budget)

Indicate amount in Euro

Dr Cornelia Weyer and Dr Gunnar Heydenreich, Restaurierungszentrum der Landeshaupstadt Düsseldorf, Düsseldorf, Germany

 

 

 

 

 

 

 

 

 

 

 

Mr Derek Pullen, Mrs Pip Laurenson, Mrs Bryony Bery Board of Trustees of Tate Gallery, TATE Conservation Department, London, United Kingdom

 

 

 

 

 

 

 

 

 

 

 

Mrs Frederika Huys, Mrs Anne de Buck, Mrs Monique Kontzen, Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium

 

 

 

 

 

 

 

 

 

 

 

Mr Jorge Garciá and Mr Craig Gordon, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

  • Collaborate in the research and creation of a substantial body of case studies on installation art
  • Share knowledge and information & present the case studies to the general public and professional field
  • Using the case studies as a conceptual, intellectual and practical framework, collaborate in the development and dissemination of good practice, methods and tools on installation art, according to the 5 main topics of the project

 

 

 

 

  • Collaborate in the research and creation of a substantial body of case studies on installation art
  • Share knowledge and information & present the case studies to the general public and professional field
  • Using the case studies as a conceptual, intellectual and practical framework, collaborate in the development and dissemination of good practice, methods and tools on installation art, according to the 5 main topics of the project

 

 

 

 

  • Collaborate in the research and creation of a substantial body of case studies on installation art
  • Share knowledge and information & present the case studies to the general public and professional field
  • Using the case studies as a conceptual, intellectual and practical framework, collaborate in the development and dissemination of good practice, methods and tools on installation art, according to the 5 main topics of the project

 

 

 

  • Collaborate in the research and creation of a substantial body of case studies on installation art
  • Share knowledge and information & present the case studies to the general public and professional field
  • Using the case studies as a conceptual, intellectual and practical framework, collaborate in the development and dissemination of good practice, methods and tools on installation art, according to the 5 main topics of the project

  • Carry out 6 case studies & preserve, re-install and exhibit these works of installation art
  • Capture artist’s information and document the 6 works of installation art
  • Invite at least one artist for direct communication with the public (lecture, interview, forum)
  • Present the case studies at the 6 Working Group Meetings & Seminars
  • Co-ordinate the working group Documentation and Archiving Strategies (including reports)
  • Organise & and host one two-days meeting
  • Publish the case studies and good practice at the museum’s website and/or INCCA website

  • Carry out 6 case studies & preserve, re-install and exhibit these works of installation art
  • Capture artist’s information and document the 6 works of installation art
  • Invite at least one artist for direct communication with the public (lecture, interview, forum)
  • Present the case studies at the 6 Working Group Meetings & Seminars
  • Co-ordinate the working group Preservation Strategies (including reports)
  • Organise & and host one two-days meeting
  • Publish the case studies and good practice at the museum’s website and/or INCCA website

 

  • Carry out 6 case studies & preserve, re-install and exhibit these works of installation art
  • Capture artist’s information and document the 6 works of installation art
  • Invite at least one artist for direct communication with the public (lecture, interview, forum)
  • Present the case studies at the 6 Working Group Meetings & Seminars
  • Co-ordinate the working group Artists’ Participation (including reports)
  • Organise & and host one two-days meeting
  • Publish the case studies and good practice at the museum’s website and/or INCCA website

  • Carry out 6 case studies & preserve, re-install and exhibit these works of installation art
  • Capture artist’s information and document the 6 works of installation art
  • Invite at least one artist for direct communication with the public (lecture, interview, forum)
  • Present the case studies at the 6 Working Group Meetings & Seminars
  • Co-ordinate the working group Knowledge and Information Exchange & Management (including reports)
  • Organise & and host one two-days meeting
  • Publish the case studies and good practice at the museum’s website and/or INCCA website

€ 262.000

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

€ 262.000

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

€ 262.000

 

 

 

 

 

 

 

 

 

 

 

 

 

 

€ 262.000

Add a page if necessary

II.5 Who are the partners that will be associated with the project?

Names of partners at local or regional level

Mrs Gaby Wijers, Netherlands Institute for Media Art (NIM)/Montevideo, Amsterdam

Dr Anton Eliëns, Vrije Universiteit, Faculty of Science, Amsterdam

Mr Bert Degenhart Drenth, Adlib Information Systems, Maarssen, The Netherlands

Names of partners at national level

Mrs Christiane Berndes, Van Abbemuseum, Eindhoven, The Netherlands

Mrs Elbrig de Groot, Museum Boijmans van Beuningen, Rotterdam, The Netherlands

Mrs Ineke Kleijn, Bonnefanten Museum, Maastricht, The Netherlands

Mr Piet de Jonge, Kröller-Müller Museum, Otterlo, The Netherlands

Names of partners in other countries eligible for participation in the Culture 2000 programme

Mrs Maike Grün , Bayerische Staatsgemäldesammlungen, Doerner-Institut, München, Germany

Mr Ulrich Lang, Museum für Moderne Kunst, Frankfurt, Germany

Mr Reinhard Bek, Museum Jean Tinguely, Basel, Switzerland

Mrs Barbara Sommermeyer, Hamburger Kunsthalle, Hamburg, Germany

Mrs Katrin Radermacher, Kunsthalle Mannheim, Germany

Mr Thomas Zirlewagen, Museum für Neue Kunst / ZKM Karlsruhe, Germany

Mrs Jemima Rellie, Tate's Digital Programmes, London, United Kingdom

Mrs Annetta Butterworth, Tate's Digital Programmes, London, United Kingdom

Mrs Maite Martinez: Instituto Valenciano de Arte Moderno, Valencia, Spain

Mr Jose Carlos Roldán, Centro Arte Contemporaneo Andaluz, Sevilla, Spain

Mrs Cecilia Illa Malvehy, Fundació ‘La Caixa’, Barcelona, Spain

Mrs Silvia Noguer, MACBA, Barcelona, Spain

Mrs Silvia Lindner, Guggenheim Museum, Bilbao, Spain

Mrs Iwona Szmelter, Academy of Fine Art, Faculty of Conservation, Warsaw, Poland

Mrs Monika Jadzinska, Academy of Fine Art, Faculty of Conservation, Warsaw, Poland

Add a page if necessary

II.6 Project implementation programme

 

Project starting date: 01 06 2004

Project finishing date: 31 05 2007

 

 

Detailed timetable for implementation of the work programme

Month

Action(s)

Anticipated cost in €

For A: Milestones are the re-installation and display of the works (10 per year)

For B1-B5:

Milestones are the 6 Working Group Meetings and Seminars:

06-2004

11-2004

03-2005

09-2005

04-2006

10-2006

Publications at websites starting from

09-2004 to

05-2007

A: 30 Case Studies: in-depth investigation, conservation, re-installation, display

B1: Preservation Strategies

B2: Artists’ Participation

B3: Documentation and Archiving Strategies

B4: Theory and Semantics

B5: Knowledge and Information Exchange & Management

C: Working Group Meetings and Seminars

Coordination of the project

Travel expenses administrative staff

General expenditure

Publicity

 

 

Project total

 

 

€ 400.000

 

€ 25.000

€ 155.000

€ 195.000

€ 55.000

€ 155.000

 

€ 189.000

€ 235.000

€ 12.000

€ 51.000

€ 18.000

 

 

€ 1.490.000

 

II.7 Project location(s):

Amsterdam, Düsseldorf, München, Frankfurt, Basel, Hamburg, Mannheim, Karslruhe, London, Ghent, Madrid, Barcelona, Valencia, Sevilla, Bilbao, Eindhoven, Rotterdam, Maastricht, Otterlo, Warsaw

II.8 Estimated total cost of the project: € 1.490.000

Commission grant requested: € 894.000

Other sources of funding already secured: €
Self-financing by the applicant organisation (project leader): € 72.000

Financial contributions by each of the co-organisers: € 524.000

Income generated by the project: €

II.9 Other sources of funding

(Where applicable, excluding Community grants and co-organisers' contributions)

Please list all sources of funding and for each co-funding institution, a written statement signed by the institution must be provided. Please use the declaration form on the following page.

 

II.10 Other information:

Please provide any additional information that you feel should be taken into consideration by the Commission.

See Annex 5: Table of Case Studies and additional information to the case studies

Declaration by Co-funding Institution

(To be copied for and completed by each co-funding institution)

Name of the institution (legal name in full):

Address:

Street:
Postcode:
Town/city:
Country:

Contact person within the co-funding institution:

Name:
Title or position:
Telephone:
Fax:
E-mail:

Amount (in Euro) which the co-funding institution has undertaken to contribute to the activity in question: …………………….€

Name of the cultural operator receiving the funds:

Explanations, if a final decision on co-funding has not yet been taken:

 

 

 

 

 

 

 

 

 

 

 

Date Signature Official stamp

____________________________________

Declaration by the project leader

My organisation is a public X private  organisation
(please tick as appropriate).

On behalf of my organisation, I hereby declare my agreement to the basic conditions set out in the present call for applications. Furthermore, the role of my organisation in conceptual, implementation and financial participation terms is as follows:

Conceptual role (brief description):

Implementation role (brief description):

Financial participation, amount in €: 74.000

(Min. 5% of the total budget, no contributions in kind)

I declare that the information given in this application is correct and that I am not withholding, in full or in part, any information from the Commission. I also declare that my organisation, I myself, and our partners will comply with and abide by these basic conditions and that we will cooperate fully with the European Commission for the purposes of supervision of activities.

Should my application be selected, I hereby undertake to refer clearly to the Community funding awarded on all possible occasions, whether public or not and whether official or not, and in all information material. If selected, I agree to let the Commission publish the details of the project (including the organisations address) on the Europa web site.

Name of applicant organisation (project leader): Drs T. Scholte

Name of the organisation's representative signing the application: Dr. A. de Tagle

Position: Head of Conservation Research Department ICN

Date: 13-11-2003 Place (address, including country): G. Metsustraat 8

1071 EA Amsterdam The Netherlands

Signature: Official stamp

Declaration by co-organisers

(This page must be copied for and completed by each co-organiser)

My organisation is a public  private  organisation
(please tick as appropriate) .

On behalf of my organisation, I hereby declare my agreement to the basic conditions set out in the present call for applications. Furthermore, the role of my organisation in conceptual, implementation and financial participation terms is as follows:

Conceptual role (brief description):

Implementation role (brief description):

Financial participation, amount in €: 104.800

(Min. 5% of the total budget, no contributions in kind)

I declare that the information given in this application is correct and that I am not withholding, in full or in part, any information from the Commission. I also declare that my organisation and I myself will comply with and abide by these basic conditions and that we will cooperate fully with the European Commission for the purposes of supervision of activities.

Name of organisation (co-organiser): TATE

Name of the organisation's representative:

Position:

Date: Place (address, including country):

Signature: Official stamp

PART III

 

 

 

 

 

 

BUDGET

 

1) – Please note that it is essential, wherever required in the various sections of the budget (e.g. Section 3 - Travel expenses and subsistence costs relating to the project), to submit annexes and detailed calculations for any amount exceeding 5000 Euro. These annexes are an integral part of the budget.

N.B.: costs for administrative and co-ordinating staff, see I. Expenditure - Section 1 (a+b+c) of the budget form, must not exceed 20% of the total direct expenditure, i.e. Sections (3)+(4)+(5)+(6).

 

2) – The bank identification form must be submitted duly signed by the account-holder as well as by the bank.

 

 

 

 

Bank Details:

Please insert the relevant bank identification form for your country, which you will find at the following Internet address:

http://europa.eu.int/comm/culture/eac/how_particip2000/pract_info/form_en.html

The form needs to be stamped and signed by the account holder and by a representative of the bank.

 

 

I. EXPENDITURE

 

1. Staff (administration and coordination)

These costs must not exceed 20% of the total amount of all other direct expenditure,

i.e. Sections (3)+(4)+(5)+(6)

Estimated total budget

Total actual expenditure

 

This column to be completed only when submitting the statement of expenditure

a) Category A (project manager, administrator, expert, consultant, etc.)

Function in the project

Number of persons

Total N° of days

Amount in Euro per day

TOTAL

Project manager

Consultant

Accountant

Co-organiser

Administrator

Expert consensus building

1

1

1

5

5

1

125

2

2

330

5

2

400

440

440

400

400

440

50.000

880

880

132.000

2.000

880

Total

14

466

 

Total (a) category A

186.640

 

 

 

 

b) Category B (assistance functions, etc.)

Function in the project

Number of persons

Total N° of days

Amount in Euro per day

TOTAL

Book keeping

Project collaborator

6

1

90

20

280

240

25.200

4.800

 

Total

7

110

 

Total (b) category B

30.000

 

 

 

Estimated total budget

Total actual expenditure

c) Category C (secretaries, etc.)

Function in the project

Number of persons

Total N° of days

Amount in Euro per day

TOTAL

Secretaries

Technical assistance meetings

6

6

51

24

220

220

11.220

5.280

Total

12

75

 

Total (c) category C

16.500

 
       

Total section 1 (items a+b+c)

233.140

 

 

 

2. General expenditure (office supplies, consumables, depreciation of computer equipment corresponding to the duration of the action)

NB: only the beneficiary's own costs directly incurred in implementing the project may be included in this section,

-up to a maximum of 7% of the total amount of direct expenditure (sections 1, 3, 4, 5 & 6).

Total section 2

51.000

3. Travel expenses and subsistence costs for administrative staff in connection with implementation of the project

- Travel expenses and subsistence costs for participants in conferences or seminars organised as part of the project should be entered in section 5c1-5c3 of the form.

- Travel expenses and subsistence costs directly linked to project activities should be entered in section 6h

- Please indicate in Annex A:

- the detailed calculation method for all amounts exceeding € 5000

- the places of departure and destination and the dates of the planned journeys.

Estimated total budget

Total actual expenditure

a) Travel

Number of persons

Total N° of journeys

Mode of transport

Average cost per journey

TOTAL

8

4

Plane and train

250

7.900

       

Total (a) travel

7.900

 

 

 

b) Subsistence (accommodation and meals)

Number of persons

Total N° of days

Average cost per day

TOTAL

8

8

64

 

4.100

       

Total (b) subsistence

4.100

 

       

Total section 3 (items a+b)

12.000

 

 

 

4. Production, communication and dissemination costs

- Details of the calculation method for all amounts exceeding € 5000 should be given in Annex B.

- NB: do not include administrative staff expenditure under this heading.

Estimated total budget

Total actual expenditure

a) Production costs

(publications, books, CD-ROMs, videos, Internet, etc.) (1)

Total (a) production

190.000

  1. Please give details of the content

Two main distribution channels will be used to achieve the project objectives: 1) the INCAA website and 2) Tate Online. Furthermore, 4 co-organsiers will distribute their case studies and project’s results at their websites. Of the 30 case studies interviews with artists will be conducted, this material will made accessible through the INCCA website (and museum’s websites). These activities belong to the sections B2 and B5 of the project.

The costs for creating the content (case studies & good practice) are put under 6.j) Renumerations of scientific personel)

b) Translation costs

(please take account of the ceiling: maximum € 1.67 per line)

average of € 1500 per interview (allcoated to Activity B2)

Total (b) translation

45.000

c) Distribution costs (mail, postage, packaging, etc.)

Total (c) distribution

d) Dissemination costs (advertisements, promotion, press, etc.)please specify: flyer: production costs

Total (d) dissemination

18.000

 

Total section 4 (items a+b+c+d)

253.000

5. Costs in connection with conferences, seminars and meetings

Details of the calculation method for all amounts exceeding € 5000 should be given in Annex C.

Estimated total budget

Total actual expenditure

a) Premises hire

       

Total (a) premises hire

5.000

 

 

b) Equipment hire

Total (b) equipment hire

5.000

 

c) Travel expenses / subsistence costs for participants and speakers

Origin

Total number of persons

 

European Commission

2

Other institutions, agencies and official bodies of the European Union

(e.g. Council, European Parliament)

Before breaking down the costs under headings (c1), (c2) and (c3), please enter in this table

Country in which the conference/seminar is being held

The Netherlands

Spain

Germany

The Netherlands

Belgium

United Kingdom

32

72

32

72

32

72

precise details of the expected number and origin of conference participants and speakers.

Other EU Member States (a)

Other EFTA/EEA countries (Iceland, Liechtenstein, Norway) (a)

Other countries (a)

Total number of persons

314

(a) Please give the expected number of persons per country in Annex D

 

 

 

 

 

 

 

 

 

 

 

 

Estimated total budget

Total actual expenditure

c1) Travel expenses of conference participants and speakers

- Please indicate in Annex C:

- the detailed calculation method for all amounts exceeding € 5000

- the places of departure and destination and the dates of the planned journeys

- Do not include European Union officials

Number of persons

Total N° of journeys

Mode of transport

Average cost per journey

TOTAL

25

3

16

2

2

6

6

1

1

1

Plane

Train

Plane

Plane

Train

300

150

300

1.000

150

45.000

2.700

4.800

2.000

300

Total (c1) travel

54.800

 

c2) Local transport

- Please indicate in Annex C:

- the detailed calculation method for all amounts exceeding € 5000

- the places of departure and destination and the dates of the planned journeys

- Do not include European Union officials

Number of persons

Total N° of journeys

Mode of transport

Average cost per journey

TOTAL

 

0

       

Total (c2) local transport

0

 

 

Estimated total budget

Total actual expenditure

c3) Subsistence (accommodation and meals for conference participants and speakers)

- Please indicate in Annex C:

- the detailed calculation method for all amounts exceeding € 5000

- the places and dates of the planned stays

- Do not include European Union officials

Number of persons

Total N° of days

Average cost per day

TOTAL

Acommodation 28

Accommodation 20

Meals 30

Meals 20

Meals 40

12

2

12

2

6

80

80

75

75

75

26.880

3.200

27.000

3.000

18.000

Total (c3) subsistence

78.080

d) Interpretation

Languages from/into which interpretation will be provided:

- Interpretation from :……………………………………

- Interpretation into :…………………………………….

d1) Interpreters

(please take account of the ceiling: maximum € 600 per day, including travel and subsistence)

Total (d1) interpreters

d2) Booths

Total (d2) booths

1500 per meeting

9.000

e) External speakers' fees

(please take account of the ceiling: maximum € 500 per day)

Total (e) speakers

20

10.000

 

Estimated total budget

Total actual expenditure

f) Reception staff

Total (f) reception staff

g) Reproduction costs (photocopies, etc.) for documentation to be distributed to participants

Total (g) documentation

6.000

h) Supplies

Total (h) supplies

5.000

i) Other costs (please specify)

Total (i) other costs

 

Total section 5 (items a - i)

172.880

 

 

Estimated total budget

Total actual expenditure

6. Miscellaneous costs directly linked to project activities

- Details of the calculation method for all amounts exceeding € 5000 should be given in Annex E.

- NB: do not include administrative staff expenditure under this heading.

a) Artists' fees (allocated to Activity B2)

25.000

b) Insurance

c) Premises hire (allocated to Activity A)

20.000

d) Equipment hire (allocated to Activity A)

30.000

e) Transport of equipment (allocated to Activity A)

20.000

f) Copyright or royalties

g) Artists re-sale rights

h) Travel expenses / Subsistence costs (1)

(1) - Please indicate in Annex E:

- the detailed calculation method for all amounts exceeding € 5000

- the places of departure and destination and the dates of the planned journeys

   

i) Purchases of equipment for production, creation, restoration (heritage) etc.

30.000

j) Remunerations of scientific personnel, technicians, persons responsible for production, creation, restoration (heritage) etc. Excecution of 30 case studies (investigation, conservation, re-installation, evaluation) (allocated to Activity A)

300.000

 
     

k) Other costs (please specify)

Development of good practice on the 5 main topics of the project, publishing of the case studies and good practice on the museums’websites and INCCA website (content delivery), attending 6 2-days meetings (allocated to Activities B1-B5)

125.000

Documentation and Archiving Strategies (Allocated to Activity B3)

170.000

Development of basic set of terms for installation art (Allocated to Activity B4)

30.000

     

Total section 6 (items a - k)

750.000

Expenditure - grand total

1.472.020

 

 

II. INCOME

Estimated total income

Total actual income

This column to be completed only when submitting the statement of expenditure

1. Specific grants

a) European Commission

(i.e. the grant for which this application is being submitted)

874.020

b) International public institutions

(please submit a declaration of the relevant institutions – see part II, Point 9)

Please specify:

……………………………………………

……………………………………………

c) National/regional/local public institutions

(please submit a declaration by the relevant institutions– see part II, Point 9)

Please specify:

……………………………………………

……………………………………………

d) Private companies

(please submit a declaration by the relevant companies– see part II, Point 9)

Please specify:

……………………………………………

……………………………………………

 

Estimated total income

Total actual income

e) Others

(please submit a declaration by the relevant organisations– see part II, Point 9)

Please specify:

……………………………………………

……………………………………………

Total section 1

(items a - e)

 

 

2. Income generated by the project

Any income generated by the project cannot and must not be considered as part of the self-financing (Section 3)

 

a) Registration fees

b) Sale of publications

c) Other

Please specify:

……………………………………………

……………………………………………

Total section 2 (items a+b+c)

   

 

3. Self-financing by the applicant organisation and co-organisers

This contribution must be own funds or raised and secured funds specifically for the project.

Income generated by project activities cannot in any way be considered as raised funds.

 

a) Applicant organisation: ICN € 74.000

 

b) Co-organisers:

(please specify)

Restaurierungszentrum der Landeshauptstadt Düsseldorf € 104.800

Board of Trustees of Tate Gallery, London € 104.800

Stedelijk Museum voor Actuele Kunst, Ghent € 104.800

Museo Nacional Centro de Arte Reina Sofia, Madrid € 104.800

Stichting Behoud Moderne Kunst, The Netherlands € 104.800

…………………………………………

…………………………………………

…………………………………………

 

 

Total section 3 (items a+b)

598.000

 

 

Income - grand total (1+2+3)

 

1.4720.020

 

 

 

 

This page must be signed by the person legally authorised to commit the applicant organisation/beneficiary

 

To be signed when submitting the budget estimate

 

To be signed when submitting the final accounts

I declare on my honour that the submitted budget estimate is true and correct and that the applicant organisation is not in any of the situations stipulated in detail in annex B, point a) of the call for proposals.

Name: Dr. A. de Tagle

Position within the applicant organisation: Head of Conservation Research Department

Date: 13-11-2003

Signature:

 

 

 

 

The undersigned certifies that the submitted final accounts are
true and correct.

 

 

Name:

Position within the applicant organisation:

 

Date:

Signature:

 

Official stamp:

 

 

 

 

 

Official stamp:

 

EUROPEAN COMMISSION

Directorate-General for Education and Culture

Culture, Audiovisual Policy and Sport

Culture: policy and framework programme

To be completed by the applicant: Name and address of the organisation to which the acknowledgement of receipt should be sent

Name: ICN

Address: G. Metsustraat 8

1071 EA Amsterdam

The Netherlands

 

 

ACKNOWLEDGEMENT OF RECEIPT

TO BE COMPLETED BY THE APPLICANT:

Application form for the project entitled

Preservation and Re-installation of Installation Ar

 

TO BE COMPLETED BY THE EUROPEAN COMMISSION:

Reference number to be quoted in all correspondence

(if the reference number is not stated, correspondence will be returned to the sender):

 

CLT 2004 –Sec/

 

Date of submission of the application (date of postmark or courier service stamp):

14-11-2003